English translation of 'Moro'

Explored the issue of English translation of Lu Xun's "The Power of Moro Poetry" and pointed out that different translations reflect different understandings of Byron, Lu Xun, and literature. The article analyzes various English translations, such as "On the Power of Satanic Poetry", "On the Power of Mara Poetry", "On the Demonic Poetry", and "On the Power of Romantic Poetry", and discusses the rationality and issues of these translations. Lu Xun equated Moro with Satan, but Moro and Satan are not completely equivalent. The article argues that Lu Xun's "On the Power of Moro Poetry" focuses on discussing the influence of people with "Satanic spirit" on society, rather than poetry with Satan as the main theme. Therefore, it may not be appropriate to use "Moro", "Satan", or "Heavenly Demon" to modify "poetry" rather than "poet". In the 2017 Harvard New History of Modern Chinese Literature, Wang Dewei translated "Mo" as "The Power of the Mara Poet", believing that Byron is a model of modern poets and embodies the spirit of the Moro poets.

Moro ":" Individual "relative to" public "

In depth exploration of the origin and connotation of the term "Moro", as well as the influence of Moro poets such as Byron on later generations, especially Lu Xun. Byron is regarded as a representative of Moro poets, whose works and personal actions inspire admiration and heroism among young people. Lu Xun believed that Byron's poetry had a profound spiritual influence and could inspire people's spirit of rebellion. Marx's evaluation of Byron is more complex, suggesting that he may become a reactionary capitalist in his later years. Russell regarded Byron as a representative of aristocratic rebels, whose thoughts and actions had a significant impact on Western thought. Byron's ideas of individualism, nationalism, and Satanism have had a profound impact in countries such as Germany. Lu Xun was inspired by poets such as Byron during the late Qing Dynasty and advocated for spiritual transformation and individual liberation. But Lu Xun gradually shifted from individualism to focusing on the masses, and his later works more reflected the transformation from aristocratic rebels to civilian rebels. Lu Xun abandoned the Byronic style of individual heroism, but retained the power of action in literary creation. Overall, Lu Xun's attitude towards Moro poets such as Byron went through a process of admiration, criticism, and absorption of their spirit, reflecting the maturity and transformation of his ideas.

As a Moro poem in the Lamentations of Jeremiah

In depth exploration of the close connection between Byronic Satanism and Romanticism, particularly the reinterpretation of the image of Satan in Milton and his works. Blake regarded Milton as a true poet and believed that Satan in his works was the "Byronic hero" revered by romantic poets. However, Lu Xun believed that only Byron and Shelley could be selected as Moro poets, and there was controversy over whether Byron belonged to Romanticism. Abrams proposed in "Supernatural Nature" that the satirical attitude in Byron's works contradicts the position of Romantic prophets. In addition, the chapter also discusses the literary term 'Lamentations of Jeremiah', pointing out that it attributes the misfortunes of the times to social and moral wrongdoing, while also believing that reform can bring a happy future. Blake's "Prophecy Poems" and Carlyle's works both embody this theme. The poetry of the Moro school usually has the tone of the Lamentations of Jeremiah, while Lu Xun's "The Power of Moro Poetry" begins with the image of "Jeremiah", reflecting the social reality from the late Qing Dynasty to the dark times.

The significance of material source in understanding Moro

Explored the controversy surrounding the study of the "source" of Lu Xun's articles, pointing out that Lu Xun was accused of plagiarism before his death, but he himself had a clear understanding of this. Lu Xun introduced foreign radical literature with similar circumstances to China in his book "The Power of Moro Poetry", with the aim of inspiring readers' reflection. Masako Kitaoka's "Material Source Study" provides a detailed list of Japanese materials that Lu Xun referred to, which helps to gain a deeper understanding of Lu Xun's creative psychology and emotions. In addition, the "source investigation" also has reference value for the translation of Lu Xun's articles. For example, Kou Zhiming found that the original text quoted by Lu Xun was difficult to find a corresponding one in the poet's mother tongue during translation, and understanding Lu Xun's source of materials can help solve this problem. The "Theory of Moro's Poetic Power" is not a simple introduction, but a manifestation of Lu Xun's "appropriation" ideology, aimed at awakening people.

conclusion

In recent decades, "The Power of Moro Poetry" has risen in the field of modern Chinese literature and has been specifically discussed in "Harvard's New History of Modern Chinese Literature". Lu Xun connected Byron with thinkers such as Stirner, Schopenhauer, Nietzsche, etc., enriching the connotation of Byron's image. Although the power of Moro is great, it cannot achieve permanent liberation of the world, and revolution may quickly turn into new oppression. The functionality and action power of literature are eternal. A new generation of readers should re read the "Theory of Moro's Poetic Power", understand its significance to Lu Xun and modern and contemporary Chinese literature, appreciate its criticism of Chinese literature and social traditions, and its call for new literature, new traditions, and new Chinese people.

postscript

Through the author's personal experience, he expressed his love and respect for Mr. Lu Xun's works. The author originally only intended to make a simple excerpt from "The Power of Moro Poetry", but was deeply attracted by Lu Xun's words and eventually read through "The Complete Works of Lu Xun". At the same time, the author hopes that this article can stimulate more high school students and teachers' interest in Lu Xun's works, encouraging them to re-examine and delve into these classic works.